Watch the Competition Judging Results

Watch the Competition Judging Results

Premieres October 27!

It’s time to celebrate the incredible talent within our photography community!

Join us for the APNPI Fall Image Competition Results & Judging Event! Discover this season’s award-winning images, hear valuable feedback from our expert judges, and gain insight into what makes a photograph stand out in competition.

You’ll also meet our distinguished panel of judges, renowned professionals in newborn and maternity photography, as they share their perspectives, judging approaches, and the criteria behind their decisions.

A heartfelt congratulations to everyone who entered! Your creativity, dedication, and willingness to put your work forward are what make this competition so special. We hope the judges’ feedback inspires you, encourages your growth, and helps you take your photography to the next level.

Interested in becoming an APNPI judge?

Accredited APNPI members interested in our Judge Training Program are invited to learn more. We’d love to hear from you!

Email us at info@apnpi.com.

Prevent Screenshots and Image Theft: What Photographers Need to Know

Prevent Screenshots and Image Theft: What Photographers Need to Know

For photographers, sharing images with clients is an essential part of doing business. But the moment an image appears on a screen, another concern enters the picture:

What happens if a client screenshots or saves an image they haven’t purchased?

For photographers whose sales depend on clients selecting and purchasing individual images, collections, albums, prints, or digital files, unauthorized image capture can affect more than image security. It can undermine the sales process itself.

And as technology changes, the tools photographers use to protect their work are changing too.

Image Theft Is Also a Sales Issue

Photographers put significant time, expertise, and creativity into every finished image.

The session itself is only one part of that process. Planning, equipment, editing, retouching, gallery preparation, client communication, education, and professional experience all contribute to the final product.

When an image is captured without being purchased, the photographer can lose control over how that work is used and may also lose the sale attached to it.

That makes image protection part of a much larger business conversation:

How do you allow clients to view their photographs while still protecting the value of what you’re selling?

The answer can depend heavily on your sales model.

Three Common Approaches to Photography Sales

There is no single sales system that works for every photography business. Photographers generally build their process around one of several approaches.

Online Sales

With an online model, clients view their images through a digital gallery and make selections or purchases on their own.

It can offer tremendous convenience for both photographer and client, but it also means your images are being viewed digitally outside of a traditional in-person sales appointment.

For photographers using this approach, protecting images during the viewing and purchasing process becomes especially important.

In-Person Sales

In-person sales allow the photographer to guide clients through image selection and purchasing, often during a dedicated ordering appointment.

This creates a very different sales experience and gives the photographer greater involvement in how images are presented and purchased.

However, it can also require more time, scheduling, and hands-on involvement from the photographer.

A Hybrid Approach

Many photographers combine elements of both.

A photographer might personally guide part of the sales process while still using digital tools or online galleries for viewing, selection, ordering, payment, or delivery.

The challenge is finding the right balance between convenience for the client and protection for the photographer.

Is a Watermark Enough?

Photographers have traditionally relied on tools such as watermarks, proofing galleries, reduced-resolution images, contracts, and clearly communicated usage policies to help protect their work.

These tools can still have an important place in a photography business.

But the digital landscape continues to change. Safe Frame, for example, points to increasingly sophisticated tools for removing watermarks and improving lower-resolution captures as part of the reason it developed a different approach to client galleries.

That has created an interesting new question:

Instead of trying to make a screenshot less useful after it has been taken, what if the gallery itself could help prevent the screenshot from being taken in the first place?

A New Approach to Screenshot Protection

Safe Frame is a client-gallery system created for photographers with built-in screenshot protection as part of the viewing experience.

The system has two parts working together.

Photographers use SafeFrame Pro to create and manage client galleries, upload images, choose protection settings, receive orders and comments, and release purchased images for download.

Clients use the MySafeFrame mobile app to access their private gallery, view photographs, select favourites, leave comments, submit an order, and receive their final purchased images.

The important difference is what happens while those photographs are being viewed.

On supported devices, MySafeFrame is designed to block or respond to screenshot and screen-recording attempts while protected gallery content is visible. Safe Frame can also add automatic watermarks and animated visual noise as additional layers of protection.

That means the technology isn’t simply trying to identify image theft after it happens. It is designed to put protection directly into the gallery experience.

See Safe Frame in Action

In the APNPI Academy course Booked, Paid & Protected, photographer Amanda Capello takes a closer look at three common photography sales models and the strengths of each approach.

She also introduces Safe Frame and demonstrates how this new approach to screenshot protection can fit into a photography sales workflow.

Rather than treating image protection as a separate issue, Amanda explores how the way you sell your photographs and the way you protect them can work together as part of a stronger business process.

Whether you’re reconsidering your entire sales system or simply looking for better ways to protect the value of the images you create, Booked, Paid & Protected gives you an opportunity to explore your options and see the technology in action.

Booked, Paid & Protected with Amanda Capello

Explore your sales options. See Safe Frame in action. Protect the value of your work.

WATCH BOOKED, PAID & PROTECTED

Streaming now for Platinum and Academy members, or available for individual purchase.

When Toddlers Meet Newborns: How I Create Safe Sibling Images Using Composite Photography

When Toddlers Meet Newborns: How I Create Safe Sibling Images Using Composite Photography

Written by: Liz Lockie. 

Sibling photos are, without question, some of my favourite images to create during a newborn session. There’s something just so special about capturing that very first chapter of their relationship.

Toddlers are wonderful, hilarious, and completely unpredictable and I mean that in the best possible way. Even the most gentle, loving little one can wobble, lurch forward, or simply lose interest and move on in the blink of an eye. Which means relying on a toddler to physically support or hold a newborn is simply never something I’d do. Safety isn’t a box I tick; it’s the foundation everything else is built on.

I recently introduced a brilliant new prop from Collectiviste into my sessions and it has been such a hit with the toddler siblings! A beautiful wooden car prop with actual wheels and the design is what makes this whole approach possible. The car has two distinct sections: a seat at the front where the toddler sits at the wheel (that they always love) and a flatbed at the back for the newborn. But here’s the crucial part…they are never in it at the same time.

Whilst baby is snuggling up with Mum or dad, I can give all my attention to the toddler and  photograph them first, sitting on their own as we play. No baby, no pressure, just fun for them. Then the toddler gets a sticker from me and runs off to play/have a snack and only then does the newborn come in! I will have already wrapped them in a way that supports their chin to rest gently on their hands, keeping their airway completely clear and unobstructed. I use mum or dad to help and sit right beside with their hand on baby the entire time. Two completely separate setups. Two separate photographs.

(You can see exactly how this works in the images here – the toddler shot, the newborn shot with mum supporting, and the final blended result.)

The key thing I want to get across is that these two children are never actually in the same frame. What you see in the final image has been constructed entirely in post-production and that’s exactly why it works. Everyone stays relaxed, the toddler can just be without any pressure, and the baby is safe from start to finish.

One thing that often gets overlooked when people think about composite photography is how much work happens beforethe editing even begins. For a composite to look truly seamless, both shots need to be taken with exactly the same lighting setup and from exactly the same camera angle. If the light falls differently across the toddler than it does across the baby, no amount of editing will make them look like they belong in the same image. Getting it right in camera first is everything.

I keep my lighting consistent between both setups so that the shadows, highlights, and overall feel match perfectly. It’s possible to add or refine a shadow in post-production if needed to help the two images sit together naturally but the goal is always to need as little of that as possible. The more accurately the two shots are captured, the more realistic and effortless the final result will look.

It’s so important to be open about how these images are made. Partly for transparency with the families I work with for them to understand exactly how I’m keeping their baby safe, every single step of the way aswell as advocating for safer practices across the industry as a whole.

Newborn photography is still largely unregulated which puts the responsibility on photographers to hold themselves to a high standard. Parents of course do their research too but may not be aware of safety practises and how certain poses are achieved until they arrive.

Composite photography isn’t about faking something. It’s about doing things properly. Some may feel that somehow the image is less meaningful because it wasn’t one perfect moment but the magic is still very real! Those moments happened and still tell a story. The closeness you feel when you look at that photo? That’s real too. I’ve just constructed the scene around keeping everyone safe, rather than leaving anything to chance. Props and posing should never come before a baby’s wellbeing.

It’s a balance of artistry and responsibility and that balance is what I love most about this career and I’m so passionate about sharing it!

Liz Lockie is a UK, Surrey-based newborn photographer, creating soft, emotive imagery from her bespoke designed studio. As a Qualified Newborn Photographer (QNP) with APNPI, she places a strong emphasis on safety, combining experience and composite techniques to ensure every baby is photographed with the upmost care. Liz is also a strong advocate for maternal mental health, ensuring every session feels calm, supportive, and reassuring for new parents. As a mother of two, she brings both professional expertise and personal understanding to her work.

See more of Liz Lockie at http://www.lizlockiephotography.com

2026 Accreditation Results #2 | APNPI Newborn Photographers

2026 Accreditation Results #2 | APNPI Newborn Photographers

2026 Accreditation #2 Results

A warm congratulations to all of our talented makers for bravely entering this round of APNPI Accreditation submissions! Each accreditation round marks progress in your professional journey as a newborn, maternity, or family photographer. We are proud of your dedication and passion.

The APNPI Accreditation Program recognizes photographers who show artistry, technical skill, and professional standards. Categories include newborn photography accreditation, maternity photography, baby, child, and family photography. By submitting a portfolio to our international panel of judges, you take a strong step forward in building trust with clients and growing your business.

Meet Our New Accreditation Recipients

We are thrilled to announce the successful photographers from this round:

  • Liz Lockie – Sitters Category

  • Stacey Marsh – Maternity Category

Each recipient demonstrated consistency, artistry, and technical excellence. Please join us in celebrating their well-earned achievements.

Applause for All Entrants

We also want to applaud every photographer who submitted work for review. Professional photography accreditation is not an easy milestone. Submitting to an image competition requires courage, determination, and vulnerability.

Judge feedback can sometimes feel challenging. However, it provides valuable insight and guidance. With each submission, your skills grow stronger and your artistry improves.

Keep Striving Toward Accreditation

We encourage you to use feedback as a tool for growth. Apply what you learn. Resubmit in future rounds. Each step brings you closer to accreditation and professional recognition.

If you are considering submission, remember the benefits. APNPI Accreditation builds confidence and credibility. Clients searching for baby photographers and maternity specialists trust photographers who hold professional credentials.

Congratulations to All

Congratulations once again to our new Accreditation recipients. Thank you to every participant for inspiring our community with your dedication, passion, and artistry!

Have you been thinking of applying for your Accreditations?

If you’ve been contemplating applying for accreditations but aren’t quite sure where to start, we have a wealth of resources to guide you through the accreditation process.  First and foremost, all apnpi members have access to the APNPI Mentorship Program where they have the opportunity of being matched with a mentor at no extra charge, to help with the journey of working towards a successful accreditation submission.

Prefer to work at things on your own?  We have a professional development section in the APNPI Library dedicated to providing you the resources you need to achieve your goals.

So, if you’re ready to turn your aspirations into achievements, we invite you to explore our resources and take the first step toward your accreditation goals. Let’s embark on this journey together and unlock new opportunities for growth and recognition.

Meet the Competition Judges

Meet the Competition Judges

About the APNPI Image Competition

The APNPI Image Competition is almost here, and we are excited to introduce the talented judges who will be reviewing this season’s submissions. With the Sept 22 deadline approaching, now is the perfect time to learn more about the experts evaluating your work.

Why Judging Matters in Photography Competitions

Each of our photography competition judges brings years of professional experience, artistic vision, and a keen eye for technical excellence. Their feedback not only determines award-winning images but also helps photographers grow in their craft.

Meet the Judges

On this page, you can explore each judge’s bio, discover their background, and gain insight into what they value most in professional photography. Understanding their perspective is a valuable step as you prepare your entries and aim for recognition in the APNPI Image Competition.

Denise Jackson

I’m a newborn photographer, educator, presets and actions designer, and photo editor behind Appleseed Photography. I’m passionate about capturing meaningful, timeless newborn moments while helping other photographers grow through education and tools that simplify their workflow. I’m your newborn photographer bestie and I bring that same supportive, detail oriented energy into my role as a judge!

"I’m looking for newborn images that reflect a high level of skill in editing technique, posing, safety, and lighting. Safe and intentional posing is essential, along with soft, controlled lighting and clean, natural editing."


Kayleigh Ashworth – Kayleigh is an APNPI accredited, multi-award winning artist, recognized as one the best Maternity and Newborn Photographers in the Inland Empire; and operates a successful portrait studio located within the heart of Downtown Murrieta, in Southern California. Established in 2015, Kayleigh Ashworth Photography has helped countless women hone in on their artists skills, foster confidence in working with newborns, emphasizing safety above all, and maximize business goals. Kayleigh and her work have been featured on the comedy series ‘The Try Guys’, featured on CBS8 San Diego News, and has had a televised interview with Intuit Quickbooks featured as an inspirational story for other businesses. After years of experience serving families from all walks of life, and furthering her education with industry leaders, Kayleigh now offers 1:1 Mentoring, as well as online tutorials and Adobe Photoshop actions for those wanting to expand their knowledge. It is Kayleigh’s mission to raise the standard of Newborn Photography – in safety, quality, and performance – and empower women to thrive within their business by sharing her knowledge and experiences learned throughout her career.

Tianna Jarrett-Williams is a maternity and newborn photographer based in Birmingham, United Kingdom where she has a small studio near to the city centre. Her love for this speciality grew from her past career as a professional and registered nurse and midwife. Whilst photography began as a hobby after the birth of her first daughter, she quickly fell in love with the craft and soon became consumed by the desire to be creative.

After navigating a few specialities, Tianna settled on the art of pregnancy, motherhood and newborn photography because these genres in coalescence with her passion for women becoming mothers and their journey through motherhood inspires her daily. Whilst the primary focus is on maternity and newborn photography, Tianna does enjoy creative and styled projects with a special interest in culture which often can be appreciated in her work. Tianna lives with her two young children Zara and Olivia; and long term partner Ashley, near Birmingham.


Trayc Dudgeon ~ Trayc is an APNPI Mentor, accredited in Maternity, Macro, Sitters and Newborn Posed categories, serves as a judge and is an avid contributor to the APNPI community. She creates stunning imagery having been educated as a photographer at Humber College with over twenty years of experience in the field. Trayc is safety trained and internationally recognized as a qualified newborn photographer with APNPI. She is also an award winning accredited portrait photographer with PPOC (Professional Photographers of Canada). She’s been passionate about art and photography her whole life and was inspired by her first photography class in high school where she fell in love with the art form. Tracy is wife to her best friend, super proud mama to 2 amazing young adults and 3 fur babies.

What Does It Really Mean to Be a Professional Photographer?

What Does It Really Mean to Be a Professional Photographer?

What Does It Really Mean to Be a Professional Photographer?

Ask ten people what makes someone a professional photographer, and you’ll probably hear ten different answers.

Some will say it’s earning a full-time income.

Others will point to a beautiful studio, expensive equipment, awards, or years of experience.

While all of those things can reflect success, none of them truly define professionalism.

Professionalism isn’t something you buy.

It isn’t something you’re given.

And it isn’t something that magically appears after a certain number of sessions or years in business.

Professionalism is a mindset.

It’s the decision to approach your work with purpose, responsibility, and a commitment to continual growth.

It’s About More Than Taking Beautiful Photographs

Photography is both an art and a profession.

Creating beautiful images is important, but professionalism extends far beyond what appears in a portfolio.

Professional photographers prepare thoughtfully. They communicate clearly. They treat every client with respect. They continue learning long after they’ve become comfortable with their craft.

Most importantly, they understand the significance of what they’ve been trusted to do.

Every session represents moments that can never be recreated.

A newborn will never be that tiny again.

Children grow.

Families change.

Milestones pass.

Professional photographers recognize the privilege and responsibility that comes with preserving those memories.

Professionals Never Stop Learning

One of the biggest misconceptions about professionalism is that it has an endpoint.

As if one day you simply “arrive.”

The reality is quite the opposite.

The photographers who continue to grow throughout their careers are often the ones who remain curious. They ask questions. They seek feedback. They invest in education. They refine their skills and stay open to new ideas, knowing there is always something more to learn.

Growth isn’t a sign that you’re behind.

Growth is a sign that you’re committed.

Experience Matters. So Does Intention.

Experience is valuable.

With time comes confidence, efficiency, and perspective.

But experience alone doesn’t guarantee professionalism.

Two photographers may have photographed the same number of families, yet approach their work very differently.

One may continue learning, reflecting, and striving to improve.

The other may simply repeat what they’ve always done.

Professionalism isn’t measured by how long you’ve been photographing.

It’s reflected in how intentionally you approach your work.

The Standard You Set for Yourself

Professionalism isn’t defined by a certification, a title, or a social media following.

It’s revealed in the choices you make every day.

It’s choosing to prepare before every session.

It’s choosing to communicate honestly and respectfully.

It’s choosing to keep learning when it would be easier to stop.

It’s choosing to welcome constructive feedback because you care more about growing than protecting your ego.

And it’s choosing to serve every family with the same level of care, whether it’s your first session or your thousandth.

A Journey, Not a Destination

Perhaps the most encouraging thing about professionalism is that it isn’t reserved for a select few.

You don’t have to wait until you have the perfect portfolio.

You don’t have to wait until photography becomes your full-time career.

You don’t have to wait until you feel like you’ve “made it.”

Professionalism begins the moment you decide that growth, integrity, and service will guide the way you approach your craft.

It’s not a finish line.

It’s a commitment.

Every photographer starts somewhere.

The question isn’t whether you’re already a professional.

The better question is:

What can I do today to become an even better one?

Continue Your Professional Journey

If you'd like to strengthen trust, confidence, and professionalism in your photography business, download the Trusted Professional Checklist.

Inside you'll discover 21 characteristics of trusted professionals, identify your strengths, and uncover practical opportunities to continue growing.


A Thought to Take With You

Professionalism isn't measured by what you've achieved. It's revealed by how you choose to grow.